Emphasising texture over tension, Undertow plays like a mud-splattered Hansel and Gretel.

~ The Exile -

Emphasising texture over tension, Undertow plays like a mud-splattered Hansel and Gretel.

~ The Exile -

The mix of action and satire also turns it into an absorbing hell of a ride.

~ Sophie Charlotte Rieger -

The mix of action and satire also turns it into an absorbing hell of a ride.

~ Sophie Charlotte Rieger -

There are some powerful moments in Skin, but however lasting some of its impacts the film isn't as deep as it hopes.

~ Andrew Robertson -

There are some powerful moments in Skin, but however lasting some of its impacts the film isn't as deep as it hopes.

~ Andrew Robertson -

Fletcher and his star Taron Egerton fling themselves flamboyantly into John’s life, riffing on events, giving them a surreal spin but always keeping how John is feeling about each moment front and centre.

~ Amber Wilkinson -

Fletcher and his star Taron Egerton fling themselves flamboyantly into John’s life, riffing on events, giving them a surreal spin but always keeping how John is feeling about each moment front and centre.

~ Amber Wilkinson -

It's a film that goes out of its way to provoke and disappoint, but to those who get its jokes and can cope with the rest, it's a delight.

~ Jennie Kermode -

It's a film that goes out of its way to provoke and disappoint, but to those who get its jokes and can cope with the rest, it's a delight.

~ Jennie Kermode -

Essentially, the film is weak on detail and strong on personality, although, even that, promises more than it delivers.

~ Angus Wolfe Murray -

Essentially, the film is weak on detail and strong on personality, although, even that, promises more than it delivers.

~ Angus Wolfe Murray -

Enjoyment of Man On A Ledge largely depends on whether you can suspend your disbelief from 21 storeys without it crashing to the ground.

~ Amber Wilkinson -

Enjoyment of Man On A Ledge largely depends on whether you can suspend your disbelief from 21 storeys without it crashing to the ground.

~ Amber Wilkinson -

Big is back.

~ Angus Wolfe Murray -

Big is back.

~ Angus Wolfe Murray -

Despite its winning formula of talent, concept and visual execution, Jumper feels like a slightly anaemic first instalment.

~ Paul Griffiths -

Despite its winning formula of talent, concept and visual execution, Jumper feels like a slightly anaemic first instalment.

~ Paul Griffiths -

This is one of the most visually ravishing period dramas ever.

~ David Graham -

This is one of the most visually ravishing period dramas ever.

~ David Graham -

A terrific soundtrack and Jamie Bell’s perfectly judged performance and charismatic persona holds it together throughout.

~ Dylan Matthew -

A terrific soundtrack and Jamie Bell’s perfectly judged performance and charismatic persona holds it together throughout.

~ Dylan Matthew -

Flags Of Our Fathers does a helluva job.

~ Angus Wolfe Murray -

Flags Of Our Fathers does a helluva job.

~ Angus Wolfe Murray -

It's sad to see McAvoy's raving, raging talent gone to waste on something so patchy.

~ David Graham -

It's sad to see McAvoy's raving, raging talent gone to waste on something so patchy.

~ David Graham -

Annette Bening plays a different character, raging against the truth, a bitch angel feeding her emotions.

~ Angus Wolfe Murray -

Annette Bening plays a different character, raging against the truth, a bitch angel feeding her emotions.

~ Angus Wolfe Murray -

Everything is fairly predictable and heavily signposted.

~ Val Kermode -

Everything is fairly predictable and heavily signposted.

~ Val Kermode -

As an example of pretentious filmmaking, Dear Wendy scores high marks.

~ Angus Wolfe Murray -

As an example of pretentious filmmaking, Dear Wendy scores high marks.

~ Angus Wolfe Murray -

Bassett's taut script takes risks with credibility.

~ Angus Wolfe Murray -

Bassett's taut script takes risks with credibility.

~ Angus Wolfe Murray -

Lee Hall's multi-faceted script manages to open up the story behind the strike, touches on sexuality and expression through art while appearing to be just telling a damn good story.

~ Symon Parsons -

Lee Hall's multi-faceted script manages to open up the story behind the strike, touches on sexuality and expression through art while appearing to be just telling a damn good story.

~ Symon Parsons -

Protagonist Adam (Andrew Scott) lives in a neatly furnished home, no longer feels the need to hide his sexuality, and tells himself he’s fine, but the music says otherwise.

~ Jennie Kermode -

Protagonist Adam (Andrew Scott) lives in a neatly furnished home, no longer feels the need to hide his sexuality, and tells himself he’s fine, but the music says otherwise.

~ Jennie Kermode -

A rollicking, humorous rollercoaster ride with stunning set pieces.

~ Paul Logan -

A rollicking, humorous rollercoaster ride with stunning set pieces.

~ Paul Logan -

Nuanced and thoughtful, alert to the individual suffering behind the headlines, cogniscent of the bigger picture.

~ Jennie Kermode -

Nuanced and thoughtful, alert to the individual suffering behind the headlines, cogniscent of the bigger picture.

~ Jennie Kermode -